My work, in part by creating systems in which allow for randomness, investigates and presents possibilities of perception.
This history comprises two phases.
The first is my free-wheeling involvement in Seattle’s underground music and art scenes, with an interest for experimentalism.
This was followed by a phase of output inspired by my travels throughout Asia and elsewhere.
The result of these invesigations range from documentation to personal impressions,
wielding multiple perspectives and techniques, through my personal filter; an autodidactic / idiosyncratic approach.
Alternating between visual art, sound, and music; my exploratory output ranges from from the visual, listening, to combinations of both.